![]() I’ll concentrate on Resolve, Xto7 and 7toX – as these have the most direct application for editors.ĭaVinci Resolve offers an exchange in both directions between Resolve and Final Cut Pro 7 or X. ![]() These offer migration of edited sequences when you stay within the parameters that FCP XML currently exposes to developers. Some interchange between Final Cut Pro X and 7 has been achieved by CatDV, DaVinci Resolve and Assisted Editing’s Xto7 for Final Cut Pro and 7toX for Final Cut Pro. FCP X links one object to another in a trackless parent-child connection, so there is no easy and direct translation of complex projects between the two versions. The underlying editing structure of Final Cut Pro 7 is based on the relationship of clips against time and tracks. Stretching the language analogy, FCP 7’s XML is as different from FCP X’s XML as English is from Russian. ![]() Apple’s Final Cut Pro X was updated to include XML interchange, but this new version of XML (labeled FCP XML) is completely different from the XML format used in FCP 7. Standard XML variations are like Romance languages – one version is as different from another, as German is from French thus, translation software is required. XML (eXtensible Markup Language) has become a common method of data interchange between post production applications.
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